How migration works
We move records, materials, and workflows carefully — with people, not wishful one-click imports. Usually 7–14 days of joint effort.
See MigrationKalinklo OS · Product
Kalinklo OS runs on two engines. Run the Week handles production operations; Manage the Engagement handles guest-artist, agency, and presenter work. The Production Record is the shared record that connects them.
The architecture
The week and the engagement around it are not separate systems. They are two engines reading and writing one Production Record — so the guest conductor’s contract and the rehearsal that needs them stay connected.
Engine one
Production operations for orchestras, festivals, opera companies, and schools: services, personnel, materials, announcements, confirmations, and readiness.
Explore the desksThe bridge
The Production Record
The shared record connecting the production week to the guest engagement around it.
Engine two
Guest-artist, agency, and presenter workflows: requests, holds, quotes, contracts, invoices, settlement, and archive.
Explore the desksThe desk map
Run the Week
Productions, services with call times, personnel, materials, announcements, confirmations, and readiness — the week on one board.
Every musician opens My Week — their own calls, materials, parts, announcements, and one-tap confirmations, and nothing more.
People, sections, roles, substitutes, and assignments — with access that expires after the last service.
Rights-aware materials: every file carries a rights status, an access rule, and an expiry.
Production-week risk as a readiness board — unconfirmed chairs, missing acknowledgements, expiring documents, each linked to its fix.
Plan the season before the week exists, then watch the plan become the week.
Manage the Engagement
One record carries the guest engagement from request to hold, quote, contract, invoice, settlement, and archive.
A private desk for agencies and managers: roster, routed requests, quotes, contracts, invoices, commissions, and presenter relationships.
A professional identity, availability, repertoire, media, and engagement history — connected to organizations and agencies, public discovery opt-in.
The commercial record and archive — versioned quotes that carry straight into contract, invoice, and settlement.
Who it is for
Orchestras, festivals, opera companies, and conservatories run the week through Production Desk and My Week.
Read moreManagers keep their roster, brand, and relationships while Kalinklo runs the operational backend.
Read moreArtists keep a professional identity, availability, and engagement history connected to the people they work with.
Read morePresenters and institutions plan across seasons, place holds, route approvals, and keep a private engagement record.
Read moreHow it lands
We move records, materials, and workflows carefully — with people, not wishful one-click imports. Usually 7–14 days of joint effort.
See MigrationReviewed access, least-privilege permissions, auditable records, and rights-aware materials. Honest procurement answers, no overclaims.
See Trust CenterReviewed access